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I don't disagree with his basic point, the choice of language was unfortunate. I think he meant the imagery was breathtaking and awe inspiring, rather than fantastic whoo-hoo-hoo. He is an oldster after all so can be forgiven a senior moment or two
Quote from: Kitman on Tuesday 17 April 2007, 09:24:42 AMI don't disagree with his basic point, the choice of language was unfortunate. I think he meant the imagery was breathtaking and awe inspiring, rather than fantastic whoo-hoo-hoo. He is an oldster after all so can be forgiven a senior moment or twoThis is the age old debate can we remove the conotative element from the stylised and beautifully iconic surface of a lot of Nazi iconography? I mean they stole some things from the Romans if he said he liked Roman imagery would there have been a problem?
Quote from: Parky on Tuesday 17 April 2007, 09:27:59 AMQuote from: Kitman on Tuesday 17 April 2007, 09:24:42 AMI don't disagree with his basic point, the choice of language was unfortunate. I think he meant the imagery was breathtaking and awe inspiring, rather than fantastic whoo-hoo-hoo. He is an oldster after all so can be forgiven a senior moment or twoThis is the age old debate can we remove the conotative element from the stylised and beautifully iconic surface of a lot of Nazi iconography? I mean they stole some things from the Romans if he said he liked Roman imagery would there have been a problem?Of course there wouldn't be a problem if he's said that of Roman imagery. It's just a bunch of Zionist-sponsored idiots on the rampage though, isn't it Park Life?
Quote from: GeordieMessiah on Tuesday 17 April 2007, 09:34:05 AMQuote from: Parky on Tuesday 17 April 2007, 09:27:59 AMQuote from: Kitman on Tuesday 17 April 2007, 09:24:42 AMI don't disagree with his basic point, the choice of language was unfortunate. I think he meant the imagery was breathtaking and awe inspiring, rather than fantastic whoo-hoo-hoo. He is an oldster after all so can be forgiven a senior moment or twoThis is the age old debate can we remove the conotative element from the stylised and beautifully iconic surface of a lot of Nazi iconography? I mean they stole some things from the Romans if he said he liked Roman imagery would there have been a problem?Of course there wouldn't be a problem if he's said that of Roman imagery. It's just a bunch of Zionist-sponsored idiots on the rampage though, isn't it Park Life? But will M&S sell more suits now?
Quote from: Parky on Tuesday 17 April 2007, 09:36:36 AMQuote from: GeordieMessiah on Tuesday 17 April 2007, 09:34:05 AMQuote from: Parky on Tuesday 17 April 2007, 09:27:59 AMQuote from: Kitman on Tuesday 17 April 2007, 09:24:42 AMI don't disagree with his basic point, the choice of language was unfortunate. I think he meant the imagery was breathtaking and awe inspiring, rather than fantastic whoo-hoo-hoo. He is an oldster after all so can be forgiven a senior moment or twoThis is the age old debate can we remove the conotative element from the stylised and beautifully iconic surface of a lot of Nazi iconography? I mean they stole some things from the Romans if he said he liked Roman imagery would there have been a problem?Of course there wouldn't be a problem if he's said that of Roman imagery. It's just a bunch of Zionist-sponsored idiots on the rampage though, isn't it Park Life? But will M&S sell more suits now? Well, personally I'm not convinced by their stuff this season, Parky:
Look at them freaks man, more meat on a butchers pencil tbh
Well, wasn't Leni Riefenstahl a pioneer in film? I find her work amazing personally.
It'd be great if they sold Roxy Music outfits circa 1972:I expect you wear that sort of clobber to go shopping with the missus Parky?
Quote from: Testa Mora on Tuesday 17 April 2007, 10:36:17 AMWell, wasn't Leni Riefenstahl a pioneer in film? I find her work amazing personally.This is it Testa...How do we seperate the connotative elements from art? Especially if they are 'connected' to a particular time or era or regime. Should we have to?
Quote from: Parky on Tuesday 17 April 2007, 10:39:24 AMQuote from: Testa Mora on Tuesday 17 April 2007, 10:36:17 AMWell, wasn't Leni Riefenstahl a pioneer in film? I find her work amazing personally.This is it Testa...How do we seperate the connotative elements from art? Especially if they are 'connected' to a particular time or era or regime. Should we have to?only time will dull the conenction - like the Aztecs - brilliant art - pity about the sacrifices....................
Quote from: Kitman on Tuesday 17 April 2007, 10:32:40 AMIt'd be great if they sold Roxy Music outfits circa 1972:I expect you wear that sort of clobber to go shopping with the missus Parky?Look at Eno man.
Quote from: Parky on Tuesday 17 April 2007, 10:39:24 AMQuote from: Testa Mora on Tuesday 17 April 2007, 10:36:17 AMWell, wasn't Leni Riefenstahl a pioneer in film? I find her work amazing personally.This is it Testa...How do we seperate the connotative elements from art? Especially if they are 'connected' to a particular time or era or regime. Should we have to?You can take that 'art for art's sake' thing too far though Parky - if you divorce art from the times that created it, it sometimes loses much of the reason it was powerful in the first place. For instance one of the most moving things I have ever seen is the collection of shoes at Auschwitz - that to me is the equivalent of great art. Divorced from its context, it's just a bunch of shoes. Now you can say great art is timeless, which is true, but taken out of its context it sometimes loses something for me.
Quote from: Rob W on Tuesday 17 April 2007, 10:40:59 AMQuote from: Parky on Tuesday 17 April 2007, 10:39:24 AMQuote from: Testa Mora on Tuesday 17 April 2007, 10:36:17 AMWell, wasn't Leni Riefenstahl a pioneer in film? I find her work amazing personally.This is it Testa...How do we seperate the connotative elements from art? Especially if they are 'connected' to a particular time or era or regime. Should we have to?only time will dull the conenction - like the Aztecs - brilliant art - pity about the sacrifices.........................now here's the thing Rob are the two connected?Be careful now.
Quote from: Kitman on Tuesday 17 April 2007, 10:48:08 AMQuote from: Parky on Tuesday 17 April 2007, 10:39:24 AMQuote from: Testa Mora on Tuesday 17 April 2007, 10:36:17 AMWell, wasn't Leni Riefenstahl a pioneer in film? I find her work amazing personally.This is it Testa...How do we seperate the connotative elements from art? Especially if they are 'connected' to a particular time or era or regime. Should we have to?You can take that 'art for art's sake' thing too far though Parky - if you divorce art from the times that created it, it sometimes loses much of the reason it was powerful in the first place. For instance one of the most moving things I have ever seen is the collection of shoes at Auschwitz - that to me is the equivalent of great art. Divorced from its context, it's just a bunch of shoes. Now you can say great art is timeless, which is true, but taken out of its context it sometimes loses something for me.Good post and I agree totally about contextualisation. Building on what you say, art often brings information about ourselves soemtimes from the past and often from the future, the 'thing itself' - 'art' seems to carry its own energy....Tricky thing to explain.
Quote from: Parky on Tuesday 17 April 2007, 10:42:56 AMQuote from: Rob W on Tuesday 17 April 2007, 10:40:59 AMQuote from: Parky on Tuesday 17 April 2007, 10:39:24 AMQuote from: Testa Mora on Tuesday 17 April 2007, 10:36:17 AMWell, wasn't Leni Riefenstahl a pioneer in film? I find her work amazing personally.This is it Testa...How do we seperate the connotative elements from art? Especially if they are 'connected' to a particular time or era or regime. Should we have to?only time will dull the conenction - like the Aztecs - brilliant art - pity about the sacrifices.........................now here's the thing Rob are the two connected?Be careful now. Rob was probably there.